Description
Lettre de Jean-Jacques Lebel à André Breton, sans date ni adresse (probablement en automne 1957).
Correspondance autour de la revue du « Surréalisme, même », ce qui permet de dater l'ensemble de ces lettres de 1956-1959. Elles sont de Jean-Jacques Lebel qui envoie des photos de mosaïque (...). [Site Atelier André Breton, 2005]
Les contributions de Jean-Jacques Lebel semblent avoir été distribuées dans Le Surréalisme, même en deux temps : un premier texte, Out of Nowhere, de la main de Lebel, paraît dans le n° 2 (printemps 1957). Le n° 3 de Le Surréalisme, même (automne1957) comporte des photographies de mosaïques de Ravenne illustrant un article de Jean Palou, Présence à Ravenne. [Site André Breton, 2020]
Bibliography
André Breton (dir.), Le Surréalisme même, n°2 (printemps 1957) & n°3 (automne 1957), Pauvert, Paris.
See also
4 Works
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[J'avais toujours refusé...]
Lettre datée du dimanche 1er septembre 1957
Correspondence
Author
Author Jean SchusterPeople cited René Alleau, Yves Elléouët, Gérard Legrand, Suzanne Muzard, ép. Cordonnier, Monique Watteau, Hans Bellmer, Vincent Bounoure, Jean-Louis Bédouin, Roger Caillois, Benjamin Péret
Description
Lettre de Jean Schuster à André Breton, datée du 1er septembre 1957.
Jean Schuster, qui compte parmi les plus brillantes recrues du groupe surréaliste dans l'après-guerre, est aussi la plus modeste. Co-directeur de la revue, c'est « le couteau sous la gorge » qu'il a accepté de rédiger le compte rendu d'une enquête destinée au n°3 du Surréalisme, même. Sa lettre évoque d'autres collaborateurs (Jean-Louis Bédouin, Vincent Bounoure); l'enquête, quant à elle, porte sur la confrontation de diverses personnes (Gérard Legrand, Meret Oppenheim, Jean-Jacques Lebel) avec deux tableaux très différents, l'un de Gabriel Max, l'autre dont elles ne connaîtraient a priori rien, ni la date, ni l'auteur. [site Atelier André Breton, 2005]
Lettre manusrite autographe datée du 1er septembre 1957.
- Lettre autographe signée de Jean Schuster à André Breton.
- Tapuscrit signé de ce texte de Jean Schuster avec corrections de sa main ainsi que quelques corrections de la main d'André Breton. [catalogue de la vente, 2003]
Lettre et manuscrit sont insérés par Breton dans les numéros 1 à 5 de la revue Le Surréalisme, même. [site André Breton, 2021]
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2 Works
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1 Comment
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Dans sa lettre manuscrite, J. Schuster évoque la préparation avec Bounoure (Vincent) de la publication d'un texte de ce dernier dans Le Surr., même. Il n'est pas question là de Micheline Bounoure.
Description
Dessin à l'encre de Chine de Pierre Molinier, titré « Langue au pied blessé » et adressé à André Breton en 1957 pour la revue Le Surréalisme, même.
Correspondance autour de la revue Le Surréalisme, même, ce qui permet de dater l'ensemble de ces lettres de 1956-1959. [site Atelier André Breton, 2005]
Dessin original à l'encre de Chine par Pierre Molinier titré « Langue au pied blessé ». [Site André Breton, 2020]
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3 Works
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Jean Mohr
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Photographs intended to illustrate André Breton's text ‘Langue des pierres’ [‘Language of the Stones’] published in Surréalisme, même, No.3, in Autumn 1957.
Three images, a descriptive note, a manuscript and an associated journal.
[Archives] Le surréalisme, même
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Description
Photographies non retenues pour illustrer un texte de Jean Palou publié dans le n° 3 du Surréalisme, même.
3 photographies non retenues pour illustrer le texte de Jean Palou « Présence à Ravenne », publié dans le n° 3 du Surréalisme, même (25,5 x 20 cm) [catalogue de la vente, 2003]
3 cartes postales anciennes
1/ La procession des Vierges, VIe siècle, dans la Basilique de Sant’Apollinare Nuovo, à Ravenne (détail du côté latéral de la nef centrale)
2/ Mosaïque du sol – animal fantastique (griffin), Ve siècle, dans l’église de San Giovanni Evangelista, à Ravenne
3/ Canaux de Venise
[Anne Egger, 2023, Atelier André Breton]
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Flora Tristan (1803-1844) - Unpublished correspondence
Manuscript
Author
Author André BretonPeople cited Edmond Bomsel, Elisa Claro Breton, André Chazal, Charles Fourier, Ganneau, Jules Laure, Charles-Joseph Traviers de Villers, Paul Gauguin, Alphonse-Louis Constant, dit Eliphas Lévi, Flora Tristan
Description
Two handwritten drafts by André Breton of a chronological correspondence of Flora Tristan, accompanied by a text dated 16 July, 1957 and a letter from Flora Tristan.
This presentation by André Breton of Flora Tristan's letters was published in the third issue of Le Surréalisme, même, in the autumn of 1957. A feminist revolutionary of Peruvian origin, who died in 1844, and known to have been close to Fourier, fascinated the surrealists for the purity of her commitment, which was uncompromisingly opposed to the bourgeois world of her time. The internationalist dimension of her work inspired their admiration. We should also recall that the year 1957 was one of renewed political activity for Breton, with the formation, together with Kostas Axelos and Aimé Césaire, of the Cercle international des intellectuels révolutionnaires [International Circle of Revolutionary Intellectuals]. [Atelier André Breton website, 2005]
Autograph manuscripts, July 1957.
A two-page autograph first draft text by André Breton, titled ‘Flora Tristan (1803-1844) Unpublished Correspondence’.
Two pages of a final text with some erasures and corrections of the same text.
A three-page letter from Flora Tristan copied in ink by André Breton, folioed 3, 5 on the first page, 6 on the second and 7 on the third.
One-page autograph manuscript in ink signed by André Breton and titled "8 unpublished letters from Flora Tristan", with erasures and corrections:
"There is probably no female destiny that, in the firmament of the spirit, leaves a wake both as long and as bright as that of Flora Tristan (1803-1844). Through her father, she was a descendant of Montezuma, and was also Gaugin’s maternal grandmother. We know what flashes of lightning zigzagged through her life [...]. The setbacks of every kind that she will encounter would subsequently never overcome the unlimited generosity that animated her and that underpins an unparalleled level of energy. Through her we touch the heart of French Romanticism; she appears as the very flowering of its social branch. We salute in Flora Tristan the one who said that 'Woman reflects the divine light'.”
This text by André Breton was published in the N° 3 of Le Surréalisme, même together with letter N°6 copied in its entirety by André Breton. [Auction Catalogue, 2003]
Bibliography
André Breton, « Flora Tristan », Le Surréalisme, même, n° 3, automne 1957, p 4.
Flora Tristan, « 7 lettres inédites », Le Surréalisme, même, n° 3, automne 1957, pp 5-12.
André Breton (Édition publiée sous la direction d'Étienne-Alain Hubert avec la collaboration de Philippe Bernier et Marie-Claire Dumas), « Flora Tristan », Perspective cavalière, Œuvres complètes, tome IV, Écrits sur l'art et autres textes, Bibliothèque de la Pléiade, Paris, Gallimard, 2008, p. 966-967, notice p. 1420-1421.
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