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    La mélancolie extatique des chiens, gâteuse comme une vertigineuse descente en ski

    Graphic Arts

    Author

    By (artist) Salvador Dalí

    Description

    In 1936 this image figured among the series of "Surrealist post cards" . On this sort of "winter sports" card, sent to André Breton one day in 1932, Dalí had glued a chromo showing puppies, drawing a few lines where necessary so as to imperceptibly transform the skiers in this unremarkable Alpine image into the gummy eyes of the aforementioned puppies. Edouard Jaguer (Les mystères de la chambre noire, Paris, Flammarion, 1982, p. 69).

    "In 1937, Georges Hugnet published a "first series" (which turned out to be the only one) of post cards, their verso printed with the imitation of a postal stamp - the circular inscription 'guaranteed Surrealist post card" (the idea was Man Ray's). The series confirmed that that there was interest in the cards, suggesting as well that the Group intended for the post card to be a means of diffusion for some of the significant images of its choice. This hope was not fulfilled, as the operation was not a financial success.
    These twenty-one cards, printed in sepia (on a yellow, green or white background) reproduced pre-existing images, with the exception, apparently, of that by Picasso..."
    Among the artists who participated in the undertaking were André Breton, with a poem-object, and Salvador Dalí with La mélancolie gâteuse des chiens comme une vertigineuse descente de ski, "beautiful example of a dual image." Gérard Durozoi (Histoire du mouvement surréaliste, Paris, Hazan, 1997, pp.331-333).

    Bibliography

    - José Pierre, Le surréalisme, dictionnaire de poche, Paris, Hazan, 1973, rep.p.133, pp.132-133
    - Edouard Jaguer, Les mystères de la chambre noire, Paris, Flammarion, 1982, rep.p.69
    - José Pierre, André Breton et la peinture, Lausanne, Editions l\'Age d\'Homme, 1987, rep. n° 79, s.p.
    - Paris, Musée national d'art moderne - Centre Georges Pompidou, André Breton, la beauté convulsive, 1991, rep.p. 288
    - Gérard Durozoi, Histoire du mouvement surréaliste, Paris, Hazan, 1997, rep.p.332, n° 19, pp.331-333

    Creation date1931-1932
    Date of publication 1932
    LanguagesFrench
    Physical description14 x 9 cm (5 1/2 x 3 1/2 in.) - Collage et gouache sur carte postale photographique Schussfahrt (titre du support qui signifie descente « en schuss »)
    From / ProvenanceCarte envoyée par Dalí à Breton en 1932
    Copyright© ADAGP, Paris, 2005.
    Breton Auction, 2003Lot 4017
    Keywords,
    CategoriesModern Paintings
    Set[Exhibitions] 1965-1966, L'écart absolu
    ExhibitionsL'Écart absolu, 1965 , André Breton, La Beauté convulsive , Le Surréalisme et l'objet
    Permanent linkhttps://www.andrebreton.fr/en/work/56600100591400
    Exhibition place

    See also

    2 Works
     
    False

    Exercise book of original collages

    -
    André Breton, Paul Éluard, Suzanne Muzard, ép. Cordonnier

    -
    Spiral-bound exercise book with 33 original photo-collages, some of which are dated 1931. 27 images, a descriptive note, a bibliography, links.

    [Albums] Scrapbooks, [Albums] Miscellaneous photos from albums

    False

    [Ge vous envoie la carte postale]

    -
    Salvador Dalí

    -
    Lettre de Salvador Dalí à André Breton du 27 mars 1937 qu'accompagne une carte postale intitulée « La mélancolie extatique des chiens, gâteuse comme une vertigineuse descente en ski », mais qui concerne surtout le projet de la galerie Gradiva.
    Quatre images, une notice descriptive, un lien.

    [Correspondance] Salvador Dali

      Photocollage sans titre

      Graphic Arts

      Author

      Person cited Max Ernst
      By (artist) Suzanne Muzard, ép. Cordonnier, André Breton, Paul Éluard

      Description

      Photocollage réalisé c 1931 par André Breton, Paul Éluard et Suzanne Muzard.

       

       

      Photocollage (avec tête de Max Ernst - provenant d'un photomaton - en marin). A mettre en relation avec cahier de photocollages faits par Breton, Eluard et Muzard… c. 1931, avec autre photocollage de la même époque 56600100960880 avec deux  têtes de Max Ernst et celui titré "Un Allemand?"

      [Anne Egger, 2023, Atelier André Breton]

       

      Bibliography

      - Damarice Amao, Amanda Maddox, Karolina Ziebinska-Lewandowska, Dora Maar, Paris, Centre Pompidou (5 juin-29 juillet 2019), Paris, Éditions du Centre Pompidou, 2019. rep.p.105

      Creation datec 1931
      Bibliographical material

      Sans titre, 1931-1933. Photocollage, impressions photmécaniques. Centre Pompidou, Musée national d'art moderne paris. AM 2015-330.

      Publicationfirst publication
      Museum

      Musée national d'Art moderne, Centre Pompidou, Paris : Inv. AM 2015-330

      Breton Auction, 2003Lot 2166
      Keywords,
      Categories1931-1939, Graphics, Objects by André Breton
      ExhibitionDora Maar
      Permanent linkhttps://www.andrebreton.fr/en/work/56600101000374

      See also

      1 Work
       
      False

      Exercise book of original collages

      -
      André Breton, Paul Éluard, Suzanne Muzard, ép. Cordonnier

      -
      Spiral-bound exercise book with 33 original photo-collages, some of which are dated 1931. 27 images, a descriptive note, a bibliography, links.

      [Albums] Scrapbooks, [Albums] Miscellaneous photos from albums

        Le Surréalisme au service de la Révolution

        numéro 6

        Book

        Description

        Number 6 of the collection of the journal, Le Surréalisme au service de la Révolution.  Joined with this issue are the following: 

        Image 1. Cover N.°6 of the journal, Le Surréalisme au service de la Révolution.

        Image 2. Handwritten letter signed by Salvador Dali to André Breton on paper with stationary heading from the Royal Hôtel of Barcelona, relative to Dali's frontispiece for the front cover of the Second Manifesto of Surrealism. (circa 1930, 1 page in-12°).

        Images 3, 4, 5. Handwritten letter signed by Maurice Heine to André Breton, Dourdan. 26 May 1932 (3 pages in-4°).

        Image 6. Handwritten poem by René Char « Les soleils chanteurs » (1 page in-4°).

        Image 7. Handwritten letter signed by Salvador Dali to André Breton (1/4 page in-4°).

        Images 8, 9. Handwritten letter signed by Salvador Dali to André Breton with a small original drawing (2 pages in-4°).

        Images 10-20. Handwritten manuscript signed by Max Ernst : « Comme on force l'inspiration » with pencil redactions by André Breton. This manuscript was found with a title cover titled by the hand of André Breton (Typographical indications ?) (1 sheet).

        Visual not available. Handwritten letter dated and signed in ink by Maurice Heine addressed to André Breton, about the Marquis de Sade.

        Bibliothèque Kandinsky, centre Georges-Pompidou, Paris.

        Bibliographical materialParis, José Corti. N°6 of May 1933. 1 copy large in-8°. Paperback. Breton Collection Sold 2003, lot 1133.
        Book1
        Issue6
        Date of publication 1933
        Publicationfirst publication
        LanguagesFrench
        PublisherJosé Corti, Paris
        Original publication date1933
        Reference7701000
        Breton Auction, 2003Lot 1133
        Keywords, ,
        Set[Journal] Le Surréalisme au service de la Révolution
        Permanent linkhttps://www.andrebreton.fr/en/work/56600100578751

        See also

        2 Works
         
        False

        Exercise book of original collages

        -
        André Breton, Paul Éluard, Suzanne Muzard, ép. Cordonnier

        -
        Spiral-bound exercise book with 33 original photo-collages, some of which are dated 1931. 27 images, a descriptive note, a bibliography, links.

        [Albums] Scrapbooks, [Albums] Miscellaneous photos from albums

        False

        Un temps de chien

        -
        André Breton

        -
        Photographic collage by André Breton presented at the Centre Georges Pompidou in the show André Breton, la beauté convulsive en 1991.
        One image, one bilingual notice, one bibliography, one exhibit.

        [Exhibitions] 1991, boîte archives bleue, Beaubourg