Author André BretonPeople cited William Blake, Hyeronimus Bosch, Constantin Brancusi, Georges Braque, Giorgio De Chirico, Robert Delaunay, Bernard Dorival, Raymond Duchamp-Villon, Albrecht Dürer, Heinrich Füssli, Albert Gleizes, Francesco Goya, Grien, Alfred Kubin, Roger de La Fresnaye, André Lhote, Fernand Léger, Ludwik Kazimierz Markus, dit Louis Marcoussis, Jean Metzinger, Gustave Moreau, Edvard Munch, Odilon Redon, Henri, dit le Douanier Rousseau, Florent Schmitt, Paolo Uccello, François Villon, Léonard de Vinci, Marcel Duchamp, Charles Filiger, Paul Gauguin, Piet Mondrian, Francis Picabia, Pablo Picasso, Yves Rivière, Georges Seurat
Handwritten note by André Breton published in February 1953 in Médium n°4.
Three drafts for a note that will be published without an author's name. Three handwritten pages by André Breton, the first two of which constitute the first draft of the third, titled and signed André Breton, and included in Alentours II of the third volume of the Œuvres completes. This note, ‘M. Dorival nous la baille belle’ (Mr Dorrival gave us a good laugh), was written in reaction against an exhibition on Cubism at the Musée d'art moderne. In it, André Breton harshly attacks certain painters ("Gleizes: 15 vast ratatouilles") and protests against the relegation of Duchamp to a corridor above the fire hydrant. Over-valuing Cubism and under-valuing its lyrical supersession by Surrealism is the main grievance that emerges from this note, in which the poet rediscovers all the scathing vigour of the two Manifestos. [Atelier André Breton website, 2005]
Signed autograph manuscript, undated [February 1953].
- 3 pages in-4°, handwritten in ink by Breton on the back of paper headed ‘À L'Étoile scellée’ (‘At the Sealed Star’), of which the first two constitute the first draft of the third, titled and signed André Breton: ‘M. Dorival nous la baille belle’, a text published in Médium: Informations surréalistes, n°4, February 1953, relating to the Cubism exhibition at the Musée d'art moderne:
"Suffice it to say that Marcel Duchamp (represented in all by two canvases) is shamefully relegated to a corridor above the fire hydrant - with unintentional humour - while one of the poorest epigones of Cubism, the decorator La Fresnaye, is the object of special attention." [Auction Catalogue, 2003]
André Breton (Édition de Marguerite Bonnet avec la collaboration de Philippe Bernier, Marie-Claire Dumas, Étienne-Alain Hubert et José Pierre), « "Médium, Informations surréalistes" (notes) », Alentours II, Œuvres complètes, tome III, Bibliothèque de la Pléiade, Paris, Gallimard, 1999, p. 1085-1087, notice p. 1461-1462
3 pages in-4°
|Physical description||Ms - encre noire|
Bibliothèque Kandinsky, Centre Pompidou, Paris : Fonds André Breton 10591 Boîte de la vente ″divers
|Breton Auction, 2003||Lot 2367|
|Keywords||Criticism, Cubism, Exhibitions, Work notes, Reviews and Journals|
|Categories||Manuscripts, Andre Breton's Manuscripts|